🎲 Birds Without Names Full Movie I congratulate, this rather good idea is necessary just by the way

BirdsWithout Names 2017 F.U.L.L H.D. Towako lives with Jinji, a man fifteen years her senior. Dedicated to her in every way, Jinji cooks, does the chores, and works a grueling job in his bid to support Towako. On the other hand, Towako lies around all day, neither working nor cleaning. Worse, she scolds and berates the sweet-tempered Jinji

“0% empathy, 100% discomfort” goes the Japanese marketing tagline for Birds Without Names. It’s a strange but perfectly spot-on representation of the film’s dead-end existences and doomed love. In this downbeat affair, director Kazuya Shiraishi marches onward in a career that has focused on dodgy sex deals Lost Paradise in Tokyo, death row inmates The Devil’s Path, corrupted cops Twisted Justice and struggling prostitutes the reboot of the pink classic Dawn of the Felines. Adapted from a novel by Mahokaru Numata, a major player in the gloomy Japanese literary genre of iyamisu or “eww mystery”, Birds Without Names is littered with belligerent relationships, beautiful scoundrels and bad sex. What makes the film stand out from the crowd, however, is actress Yu Aoi’s against-type performance. Ditching her long-running on-screen persona as Japan’s national sweetheart, the 32-year-old star delivers a gripping turn as a callous, confused, thoroughly repulsive person trying to recover from a painful past through ever-more misguided trysts. The Bottom Line Love is pain in this grim tale. While it gets off to a promising start, the frisson and friction slowly disintegrate past the hour mark, as Shiraishi and screenwriter Taeko Asano raise the histrionics level while trying to resolve their protagonist’s struggle with herself and the world. Though it has generated awards aplenty for Aoi in Japan, Birds Without Names has been flying very much below the radar since its premiere at Toronto last fall, clocking odd appearances at smaller festivals Hawaii, San Diego Asian and a few commercial releases outside Japan in Taiwan, Hong Kong and South Korea. Aoi plays Towako, a young woman whose life has fallen apart. In the opening scene, she is shown whiling her time away in a messy, cramped apartment, indulging in junk food and trashy B-movies; she shouts at people on the phone, then goes out to hassle video rental clerks. But she reserves her worst behavior for her bumpkin boyfriend Jinji Sadao Abe, whose grubby appearance belies an incredible heart of gold. Returning home after a day’s hard work, he absorbs Towako’s abuse with a meek grin and shuffles off to cook, clean the house and satisfy her sexual desires, while ignoring his own. Towako’s bitterness stems from her attachment to a wonderful past when she enjoyed life with the handsome, loving but married Kurosaki Yutaka Takenouchi, Shin Godzilla. In an attempt to revisit that excitement and pleasure of yore, she begins an affair with Mizushima Tori Matsuzaka, a suave and married department store clerk who charms her with sweet talk, small gifts, and sensual lovemaking. But her world caves in when a police officer comes by to ask questions about Kurosaki’s disappearance. Plunged straight back into the past, Towako slowly gathers her memories of what happened back then — why she broke up with him eight years ago, and how she started seeing Jinji. Already disoriented by her recollections, she becomes more unhinged as Mizushima begins to reveal his true nature — a twist which leads the main characters to a bloody, deadly end. Just like other entries based on the grisly Japanese eww mystery genre — among them Confessions, the 2010 suspense thriller about a teacher’s ruthless revenge on the students who killed her daughter — Birds Without Names is best when it sets out to reveal the shady underbelly of humanity. Though something of an acquired taste, the ugly first half of the film is unpleasant but reasonably so. As Shiraishi ventures to explain Towako’s trauma, however, the tension fizzles out, and the big reveal, when it comes, is unconvincing, maudlin and melodramatic. Then again, this is perhaps all about Aoi, whose sturdy performance here should propel her out of comedies and into meatier dramatic roles. Traveling in the opposite direction, helmer Shiraishi could very well use this relationship drama to move towards more mainstream, commercial fare in the future. Even if Birds Without Names is finally underwhelming, it should be a useful stepping stone for its star and its director to take flight and move beyond pigeonholed careers Production companies Klock Worx Cast Yu Aoi, Sadao Abe, Tori Matsuzaka, Yutaka Takenouchi Director Kazuya Shiraishi Screenwriter Taeko Asano, based on a novel by Mahokaru Numata Producers Kazumi Fukase, Akihisa Yamamoto, Noriko Nishiguchi Executive producers Itaru Fujimoto Director of photography Takahiro Hashibara Production designer Riki Imamura Costume designer Sayaka Takahashi Music Takashi Omama Editing Hitomi Kato Sales Nikkatsu In Japanese 113 minutes

Overview An unstable young woman pines for the ex-boyfriend who nearly beat her to death - and who has mysteriously disappeared - in this gripping tale of lust, devotion, and redemption.

Synopsis Sometimes love hides the darkest secrets. An unstable young woman pines for the ex-boyfriend who nearly beat her to death – and who has mysteriously disappeared. Cast Crew Details Genres Cast Director Producers Writer Original Writer Editor Cinematography Production Design Composer Sound Costume Design Studios Country Language Alternative Titles Kanojo ga Sono Na wo Shiranai Toritachi, The Birds She Never Knew, 이름없는 새, 未闻鸟名, Aves sin nombre, Kanojo ga sono na wo shiranai toritachi, Bezimienne ptaki, Птицы, которых она никогда не знала, 她不知道名字的那些鸟儿, 鳥獸行, 她不知道那些鳥的名字 Genres Popular reviews More My very first psychological thriller was Se7en and I still remember I was so scared pausing and guessing what will I see next. The same thing happened in this suspenseful, cryptic yet exploitative film. The director made me guess who is the victim until the end. He even resorted to using our innate stereotypes on humans. Moreover, I like when a movie can make me realize that I guessed the entire thing wrong. I can't pinpoint what I like but I really like this one for all the suspense and thrills it gives me. Tbh, it's been long that psychological thrillers don't give me thrills. Yu Aoi is making some really interesting choices lately and I'm looking forward to probably soon seeing her go full serial killer in a movie I guess the best description of this, without giving too much away, it is a romantic psychological thriller. The performance by Yu Aoi is top notch. She leads you on a roller coaster ride as to who she is. Yū Aoi plays an unstable woman who's obsessed with her abusive ex and disgusted by her supportive thought this would be a thriller, but it played out more like a lewd sexual drama based around a character who we have little sympathy for. I personally never understood why anyone would want to return to an abusive relationship, so that aspect went over my head. At no point did I feel a sense of urgency for any of the characters and I found the drama element rather performances overall and once again Yū shows her versatility by playing someone we can almost despise, as she is rude to anyone she deems not worthy of her attention. I… “If you are happy,” says Jinji “I am happy.” Towako takes him at his word. She lets Jinji take care of her with his hard-earned money, cooking, housework, massages and emotional support, even as she keeps him at arm’s length, calls him a slug, idealizes her abusive ex-lover and hooks up with others. Jinji has faith that Towako will open her eyes. After all, those who would take cake out of the wheat, said Shakespeare, must tarry in the grinding. Yet the grinding gets nearly impossible when the police come to ask Towako about the disappearance of her idolized complex, surprising, stylish and touching film reveals just how much people often suffer in holding onto ideals of love… Oof. What a premise hints at some kind of crime/erotic/psychological thriller action the synopsis on the TIFF website says it "echoes Brian de Palma and Park Chan-wook", but the film actually reveals itself to be a rather straightforward character drama, with the thriller elements being secondary to the story at the characters here are not all that complex or interesting. The protagonist Towako has no inner life or personality outside of her relationships with the three male characters Jinji, her perpetually cheerful benefactor; Mizushima, the weak-willed salesman she has an affair with; Kurosaki, her violently abusive ex-boyfriend. Her obsession with Kurosaki is at least somewhat believable though still lacking in context, but trauma can't explain her… Thought this would be sad but it was very sexy… I did shed a single tear though. Yu Aoi supremacy Asian Film Festival 2017It is weird for me, who watched young Yu Aoi in her debut in Shunji Iwai's All About Lily Chouchou and her remarkable ballet sequence in Hana and Alice to doing racy scenes in Birds Without Kazuya Shiraishi, who worked as an assistant director to Isao Yukisada channels influence from the latter's cinematic style. True enough, the strength of this film is its cinematography. As much as I love Yu Aoi, she is uninteresting here—nothing but still not over an old lover. It's also disappointing how the film tries to portray Jinji Sadao Abe as this filthy, love-obsessed guy to Yu, only to make him a martyr at the last 5-10 minutes of the… 「妳這麼恨我，我也是滿足了。」卑微的愛看了好難受⋯或許對於某些人來說還是值得吧。十和子把她的愛都留給不珍惜的人，慎治是這樣對她百般呵護，卻成了不被十和子珍惜的人。「人真的好賤，卻也無可奈何。」看完腦子不斷浮現這句話雖然看的時候都會知道「如果是我才不願意跟這種女人在一起」，但世界上也確實在很多人過著這種生活，自私的人不覺得利用有什麼，犧牲的人總催眠自己那都是愛，看完實在是蠻惆悵的⋯ That montage in the last few minutes is equally beautiful and devastating. It's easier said than done moving on from your ex, especially when they've shown you "care" and "attention" you lacked during your upbringing.. Yu Aoi Supremacy also the male lead is perfect This film was quite hard for me to understand at the start [watched without English subs]. However, I must've got used to it because, about twenty minutes in, it became much easier!There is something horrible about everyone in this. I enjoyed all of the actors portraying this too. For the most part, I just cringed or was horrified by how awful they the same time, there is a level of empathy at some points, most character though... I don't like that he's portrayed as a 'nice guy'. I really didn't like that, especially coupled with how it ended which I felt was a bit abrupt, but okay. I do not at all support an idea…

OnDemand. >. Birds Without Names. Add to Watchlist. Birds Without Names. Towako lives with the 15-year-older Jinji yet still can't forget about Kurosaki, a guy she broke up with eight years. Ends. Director. Kazuya Shiraishi.

Original Title 彼女がその名を知らない鳥たち Watch Now Stream Birds Without Names is not available for streaming. Let us notify you when you can watch it. SynopsisAn unstable young woman pines for the ex-boyfriend who nearly beat her to death – and who has mysteriously Without Names - watch online stream, buy or rentWe try to add new providers constantly but we couldn't find an offer for "Birds Without Names" online. Please come back again soon to check if there's something new. Videos Trailers, Teasers, FeaturettesRatingDirector Cast

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birds without names full movie